What are the limitations of Kling 2.6?
Summary: Kling 2.6 has limitations in artistic style (it favors realism) and audio complexity. While great for speech and foley, it is not a music composer. Invideo users should use it for realistic scenes and dialogue, but layer in external music tracks for complex scores.
Direct Answer: Kling 2.6 struggles with the abstract. It wants to make things look real, which limits its use for stylized animation. Its audio generation is also functional rather than musical; don't ask it to compose a symphony. It generates sound effects and speech. Invideo mitigates this by providing a separate audio library. Users should rely on Kling 2.6 for the sync the footsteps, the voice and use Invideo's stock video tracks to provide the emotional score. This combination plays to the model's strengths while covering its weaknesses.